The Wall Street Journal Spotlights the Perry Glass Studio’s Purpose-Driven Design

The expansion of the Chrysler Museum of Art’s Perry Glass Studio — designed by Work Program Architects — was recently featured in The Wall Street Journal in a glowing critique by architecture critic Michael J. Lewis. The piece, titled “The Perry Glass Studio’s Practical Power,” explores how the newly completed 24,000-square-foot expansion provides a different kind of experience to visitors.

The new studio is the latest step into glass art for a museum that knows the art form well — the Chrysler’s glass art collection spans over 10,000 objects and 3,000 years. As Lewis notes, the studio was designed for hands-on learning and public demonstration, reflecting a broader shift in museum culture, from passive viewing to active engagement. Its layout and features, writes Lewis, make the selected works on display “more comprehensible, even urgent.”

The article tracks the evolution of the building’s design. The Perry was originally envisioned as a glass-clad structure, but plans changed once the team confronted a core challenge of glassmaking: the need for stable, controlled lighting to monitor the subtle color changes in molten glass. Lewis paraphrases lead architect Rob Crawshaw while noting that the design evolved into a “straightforward, smoothly functioning workshop,” rather than a self-referential architectural statement.

Constructed from dark brick and light terracotta, the two-story building is elevated on a planted terrace to address site-level flooding. Its entrance is angled toward the main Chrysler building across the street, a subtle alignment that Lewis describes as a “genuflection” toward the museum, quoting Crawshaw. Inside, the central feature is a black-box theater hot shop with seating for 200, designed for both production and public demonstration.

Material choices reflect the studio’s industrial function. Exposed concrete floors, brick walls, and unfinished ceilings contribute to a space focused on making rather than display. Acoustic challenges were addressed through targeted sound-absorbing materials, allowing instruction to remain intelligible despite the constant roar of the furnaces.

Lewis concludes that the Perry Glass Studio succeeds as a highly effective and thoughtfully designed tool for education, production, and interpretation — helping visitors connect the physical act of glassblowing with the finished objects on display across the street.

Read the full article in The Wall Street Journal here.

WAVY, WHRO Highlight Functionality and Resilience of New Perry Glass Studio

As the second and final phase of the Perry Glass Studio’s expansion and renovation nears completion, members of the press are taking notice of the new structure standing tall alongside the main Chrysler Museum of Art building in Norfolk, Virginia. These recent stories show how the WPA-designed project is elevating the museum’s beloved studio to become a world-class center for glass artistry that also demonstrates innovative approaches to flood mitigation.

The Perry Glass Studio has long been a cornerstone of the museum, offering hands-on experiences and drawing artists from around the world. With the $30 million expansion tripling its size, the studio will better meet a growing demand. “My favorite feature of this whole project is […] the ability to do more than one thing at once,” said Perry Glass Studio Program Director Robin Rogers in a recent WAVY segment.

While the renovation of the previously existing studio into additional instructional space is just now nearing completion, the studio’s 24,000-square-foot expansion has been open for months, providing a cutting edge facility for education, exhibitions, and live demonstrations, while also creating welcoming spaces for the community. 

In addition to functionality, the building’s design prioritizes resilience in the face of flooding. This was the focus of another recent segment, from WHRO. Norfolk’s vulnerability to sea level rise required innovative solutions to ensure the studio could withstand future flooding. 

“In our area in Norfolk, where many of our projects are, we have to deal with the environment first because of flooding,” project architect Robert Crawshaw told WHRO. “So not only are they getting the tidal (flooding), but they’re also getting all of the water that’s draining off of several square miles of area uphill.”

Measures include raising the building and the power transformer that keeps the furnaces running above the floodplain, as well as the installation of a large rain garden, designed by Stromberg Garrigan & Associates. As WHRO highlighted, the project emphasizes sustainability and adaptation, showcasing how design can address both creative and environmental challenges.

Watch and listen to the complete coverage at WAVY and WHRO.

The Ryan Resilience Lab is nearing completion

The Ryan Resilience Lab is nearing completion in the North Colley area of Norfolk. The new lab is located on Knitting Mill Creek and slated for a spring grand opening. There are a number of “preview events” during the month of November, go to elizabethriver.org for more information. WTKR recently toured the new Resilience Lab. Click here to see the segment.

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