WPA Included on Inc. 5000 List of America’s Fastest-Growing Private Companies

Work Program Architects has been included in the 2025 edition of the Inc. 5000, a recognition that the Norfolk architecture and design firm is among the fastest-growing private companies in America. The Inc. 5000 list offers a data-driven look at the most successful companies within the economy’s most dynamic segment — independent, entrepreneurial businesses.

“Making the Inc. 5000 is always a remarkable achievement, but earning a spot this year speaks volumes about a company’s tenacity and clarity of vision,” says Mike Hofman, editor-in-chief of Inc. “These businesses have thrived amid rising costs, shifting global dynamics, and constant change. They didn’t just weather the storm — they grew through it, and their stories are a powerful reminder that the entrepreneurial spirit is the engine of the U.S. economy.”

WPA’s growth over the past three years has been fueled by landmark projects such as the Ryan Resilience Lab for the Elizabeth River Project, the Perry Glass Studio expansion at the Chrysler Museum of Art, and the Visual Arts and Design Center at Tidewater Community College. These projects — which have been showcased by the Today show and the Wall Street Journal, and helped earn the firm a 2025 Most Innovative Companies award from Fast Company — reflect WPA’s mission to design for and with the communities it serves, engaging residents, stakeholders, and partners at every step.

“From the very beginning, we’ve believed that design can bring people together and tackle tough challenges,” says WPA CEO and co-founder Mel Price. “That approach has both strengthened the communities we work in and driven our growth. This recognition is a testament to our team’s creativity, our clients’ trust, and our commitment to building a thriving, sustainable business.”

Since its founding in 2010, WPA has developed a reputation for design excellence and for pioneering a radically transparent business model — one that shares financial data, decision-making power, and ownership mindset with every team member. The firm’s open, collaborative culture has earned it a spot on Inc.’s Best Workplaces list and attention from industry outlets like Fast Company, The American Institute of Architects and People Managing People.

Companies on the 2025 Inc. 5000 are ranked according to percentage revenue growth from 2021 to 2024. They must be U.S.-based, privately held, for-profit, and independent — not subsidiaries or divisions of other companies.

See the complete list here.

The Chrysler Museum of Art’s Plan for Coastal Resilience Highlighted by Virginia Mercury

As sea levels rise and sunny-day flooding becomes a familiar occurrence in Norfolk, the Chrysler Museum of Art is taking bold steps to protect its people, its collection, and its place in the community. A recent article in the Virginia Mercury details how the museum is confronting the climate crisis through a multi-phase master plan, which includes the recent completion of the Perry Glass Studio expansion. 

Located at the edge of The Hague — a picturesque but increasingly flood-prone inlet of the Elizabeth River — the museum faces the kind of compounding environmental risks that are now confronting cultural institutions across the country. According to data cited in the article, more than a third of U.S. museums are located within 60 miles of a coastline, and many are unprepared for the damage that climate change is already delivering. 

Work Program Architects (WPA) worked with the Chrysler to create a plan to meet these current and future challenges. The museum has already taken steps to modify its main building — installing deployable floodgates and relocating stored artwork to higher floors — but the museum’s most visible statement of intent is across the street: the new 21,000-square-foot addition to the Perry Glass Studio. Completed earlier this year, the $30 million expansion includes a host of resilient design strategies, from its elevation (four feet higher than the original studio) to its foundation, a system of 470 deep “rigid inclusions” that stabilize the soft, flood-prone soil beneath it. 

The walkway to the new building winds through a sculptural rain garden that captures stormwater runoff and slows its release into the city’s strained stormwater system. The rain garden was intentionally designed so that visitors can experience the museum’s commitment to resilience firsthand.

“We didn’t want to hide the rain garden at the back of the property,” project architect Robert Crawshaw told the Mercury. “We wanted you to be immersed in the efforts that the Chrysler was doing.”

In a city that regularly sees tidal flooding without a drop of rain, the Chrysler’s willingness to adapt in place — rather than retreat — is both a practical and symbolic decision. “The Chrysler Museum is such a part of the identity of Norfolk in that location,” WPA co-founder and design principal Thom White told the Mercury. “The power of its connection to the community is worth keeping it there.”

Read the full story here.

Elizabeth River Project’s Ryan Resilience Lab Named a ‘World Changing Idea’ by Fast Company

Work Program Architects is proud to share that the Elizabeth River Project’s Ryan Resilience Lab has been named a winner in Fast Company’s 2025 World Changing Ideas Awards. This national recognition honors bold, creative efforts that respond to society’s most pressing challenges, and this project’s message couldn’t be more urgent.

WPA was recognized alongside garbage-eating microbe technology developed at Harvard, a hydrogen-power data center created by ECL and the first-ever zero-plastic warehouse from Manifest.eco. Other architectural and design projects on the list include the Portland International Airport and the Hilda L. Solis Environmental Justice Center at Puente Hills Regional Park. 

Fast Company noted that the resilience lab “not only used flood-proof materials but also integrated habitats like wetlands, oyster reefs, and native plants to naturally absorb floodwater, shield the structure from erosion, and protect its surroundings from pollution.” The recognition went on to write that “the natural habitats also serve as educational tools for the public, and the design itself can be a model for communities at risk of rising sea levels.”

The Ryan Resilience Lab was designed as a global model for how communities can adapt to the realities of sea level rise and climate change,” says Sam Bowling, associate principal at Work Program Architects and project architect for the Lab. “That’s why it’s so meaningful to see it recognized by Fast Company as a World Changing Idea — this award spans the globe, just like the challenge we’re working to address.”

This year’s World Changing Ideas Awards featured more than 1,500 entries, with just 100 projects selected as winners. Submissions were judged by Fast Company editors and reporters for their impact, creativity, sustainability, and ability to improve lives. The Lab is included in the Summer 2025 print issue, on newsstands June 17.

“The World Changing Ideas Awards have always been about showcasing the art of the possible,” says Fast Company editor-in-chief Brendan Vaughan. “We’re proud to recognize the organizations and leaders that are making meaningful progress on the biggest issues of our time.”

Check out the Elizabeth River Project’s Ryan Resilience Lab here.

NSU Starts Work on $118M Facility to Expand Science and Research Opportunities

Norfolk State University (NSU) marked a major milestone on April 18 with a groundbreaking ceremony for its $118 million New Science Building, a project that promises to redefine the future of science education and research on campus. The event, which drew students, faculty, state officials, and community leaders, received widespread media coverage across WHRO, WAVY, The Virginian-Pilot, Virginia Business, and other outlets.

The new 131,000-square-foot facility will replace the Roy A. Woods Science Building and unite NSU’s biology, chemistry, and physics departments under one roof, alongside the Dozoretz National Institute for Mathematics and Applied Sciences (DNIMAS). With a planetarium, greenhouse, makerspace, and student-centered collaboration areas, the building is designed to foster innovation, interdisciplinary learning, and public engagement.

“This building will showcase science with its transformative architecture, thereby inspiring students to believe and achieve their goals,” said Dr. Michael Keeve, Dean of the College of Science, Engineering and Technology.

Work Program Architects (WPA) and SmithGroup lead the design team, while S.B. Ballard Construction Company is serving as the Construction Manager. “This project puts scientific research and education on display in an environment that is inclusive, interactive and energizing,” said CEO Mel Price.

University leaders and project architects emphasized the building’s dual mission: supporting academic excellence while welcoming broader community engagement. Outdoor learning environments will connect the facility to the Ohio Creek watershed, while flexible interior spaces are designed to evolve alongside scientific discovery.

“It is another example of how Norfolk State University is building for the future of our students, our university and our community,” said NSU President Dr. Javaune Adams-Gaston.

Set to open in Fall 2027, the facility is targeting LEED Gold certification and aims to serve as a national model for immersive, interdisciplinary science education. 

Read coverage of the groundbreaking from WAVY, WHRO, 13News Now, The Virginian-Pilot, Virginia Business, and The HBCU Advocate.

Expanded Perry Glass Studio Reopens at the Chrysler Museum of Art

The Perry Glass Studio at the Chrysler Museum of Art has officially reopened following a $30 million expansion. The museum marked the occasion with a vibrant weekend of festivities that drew major media attention and hundreds of visitors. The grand opening included live glassblowing demonstrations by nationally recognized artists, a sold-out gala event, and a family-friendly festival featuring performances and hands-on activities.

In advance of the festivities, the expanded facility was featured across regional media outlets including 13News Now, WAVY, The Virginian-Pilot, and WHRO, all highlighting the studio’s striking transformation and its significance to Norfolk’s cultural landscape.

“It’s a dream come true to see it emerging fully finished and ready to go,” WPA’s Thom White told WAVY. “I think it will be huge. It will have the ability to reach a lot more visitors, to educate students and glassmaking and the arts around glass. It’s so versatile in the way that it can handle programming, whether that be productions in the theater, hot shop or this classroom.”

Work Program Architects led the design of the project, which more than tripled the size of the original studio and established it as a leading center for glass art in the U.S. The reimagined space includes a 190-seat amphitheater-style hot shop, dedicated classrooms, and state-of-the-art cold- and flame-working areas, all designed to accommodate a growing community of artists, students, and visitors. With a focus on transparency, accessibility, and environmental resilience, the expansion enhances both the creative and educational mission of the museum while preparing the site for future climate challenges.

Media coverage highlighted both the design and the experience it creates. 13News Now provided a behind-the-scenes video tour, while WAVY spotlighted the museum’s assistantship program, which is aided by the new space. In a written report, WHRO detailed the many ways community members, including university students, can utilize the facility to create their own works of art, while an episode of the station’s arts program, Curate, explored the studio and the artform, as well as the origins of the expansion. 

“We interviewed several architectural firms up and down the east coast, from all the big cities,” said Robin Rogers, manager and program director for the Perry Glass Studio. “But it was a local firm, WPA, that really hit it out of the park.”

The Virginian-Pilot provided even more historical context to the recent developments, noting the glass studio’s beginnings as a 9,200-square-foot facility that “reached capacity after the huge demand due to the popular glassblowing classes and partnerships with local colleges and community organizations.”

“The workshops allow visiting and in-house artists to create new and innovative artwork on full display to visitors,” project architect Robert Crawshaw told The Virginian-Pilot. “And spaces throughout the expansion present opportunities for the museum to display these works.”

Watch and read coverage of the opening from WAVY, 13News Now, The Virginian-Pilot and WHRO. Read more about the project here.

WAVY, WHRO Highlight Functionality and Resilience of New Perry Glass Studio

As the second and final phase of the Perry Glass Studio’s expansion and renovation nears completion, members of the press are taking notice of the new structure standing tall alongside the main Chrysler Museum of Art building in Norfolk, Virginia. These recent stories show how the WPA-designed project is elevating the museum’s beloved studio to become a world-class center for glass artistry that also demonstrates innovative approaches to flood mitigation.

The Perry Glass Studio has long been a cornerstone of the museum, offering hands-on experiences and drawing artists from around the world. With the $30 million expansion tripling its size, the studio will better meet a growing demand. “My favorite feature of this whole project is […] the ability to do more than one thing at once,” said Perry Glass Studio Program Director Robin Rogers in a recent WAVY segment.

While the renovation of the previously existing studio into additional instructional space is just now nearing completion, the studio’s 24,000-square-foot expansion has been open for months, providing a cutting edge facility for education, exhibitions, and live demonstrations, while also creating welcoming spaces for the community. 

In addition to functionality, the building’s design prioritizes resilience in the face of flooding. This was the focus of another recent segment, from WHRO. Norfolk’s vulnerability to sea level rise required innovative solutions to ensure the studio could withstand future flooding. 

“In our area in Norfolk, where many of our projects are, we have to deal with the environment first because of flooding,” project architect Robert Crawshaw told WHRO. “So not only are they getting the tidal (flooding), but they’re also getting all of the water that’s draining off of several square miles of area uphill.”

Measures include raising the building and the power transformer that keeps the furnaces running above the floodplain, as well as the installation of a large rain garden, designed by Stromberg Garrigan & Associates. As WHRO highlighted, the project emphasizes sustainability and adaptation, showcasing how design can address both creative and environmental challenges.

Watch and listen to the complete coverage at WAVY and WHRO.

TCC Visual Arts and Design Center Featured in Retrofit Magazine

Students have now had a full year in the new Visual Arts and Design Center at Tidewater Community College, but the project is still gaining new fans in the architecture community. The most recent recognition of the adaptive reuse project comes from Retrofit Magazine, which included the center in its package of notable education retrofits.

Located at street level on Boush Street in downtown Norfolk, beneath the 15-story condominium community Harbor Heights, the space now occupied by the Visual Arts and Design Center was previously a grocery store. The new facility was a necessity for the college’s visual arts program, which was forced to borrow space from other departments after electrical issues made its previous home in Portsmouth untenable. 

The challenge for WPA was to quickly design, build, and deliver a new visual arts center in the 38,180-square-foot space that could contain the college’s expanding programs, such as graphic design. Despite volatile pandemic pricing and supply chain challenges, the design and build team managed to stay on schedule and within budget, allowing for classes to start in the fall semester of 2023.

The Visual Arts and Design Center was featured alongside The Henry Ford history museum in Dearborn, Mich.; the Folger Shakespeare Library in Washington, D.C.; and Johns Hopkins University’s adaptive reuse of the Newseum building in Washington, D.C. (which is pictured on the cover of the magazine).

View the full issue here.

WAVY offers a sneak peek at the new William A. Hunton YMCA in Norfolk

The William A. Hunton YMCA and Work Program Architects have revealed designs for a new facility that will support the YMCA’s ongoing role as a resource and safe haven for families living in and around South Hampton Roads. The facility, located at 1045 E. Brambleton Avenue, will also serve as a gateway and key landmark for the transformed St. Paul’s neighborhood in downtown Norfolk.

As WAVY noted in a recent segment on the project, the Hunton YMCA is the oldest independent YMCA and one of four Heritage YMCA’s in the United States, established when People of Color were denied access to other YMCA facilities. The new facility will build on Hunton’s 150-year history, promoting health and wellness while enhancing its continuing mission to provide early childhood education, as well as community meeting spaces and programs to teach life skills.

Highlights of the design include separate areas for upper and lower schools, a library, kitchen and cafetorium, reception, administrative offices, a full-size gymnasium, an outdoor swimming pool, and facilities for health services, seniors, and civic and community gatherings. A private courtyard will embrace an arbor of mature trees and feature a natural playground.

WPA collaborated with community members, as well as Hunton staff and board members, to arrive at the design for the new facility.

The project has been made possible by the sale of the previous Hunton Y to the City of Norfolk, which will be demolishing the old facility to make way for the Blue Greenway, a 22-acre resilience park that will serve the Kindred and St. Paul’s community. 

Additional funding will be provided through a capital campaign, which is scheduled to kick off later this year. It is hoped construction can begin in 2025, with completion in 2026.

View the full report from WAVY here.

View the project page here.

WPA CEO and Co-founder Mel Price Receives Prestigious AIA Fellowship

NORFOLK, Virginia (April 5, 2024) — Mel Price, co-founder and principal at Work Program Architects, has been named to the College of Fellows by the American Institute of Architects. 

The fellowship is the highest membership honor for the organization and is bestowed on those who have demonstrated “exceptional work and contributions to architecture and society.” 

“It is a great honor to be recognized by the AIA,” Price said, “but this fellowship is also a great responsibility. I will use this opportunity to share what I have learned with my peers, to learn from them and, most importantly, to ensure that the profession grows and adapts with the next generation of architects so that we may continue to positively impact society.”

The AIA identifies mentorship as a core aspect of the fellowship program, along with providing service to society and advancing the profession.

Price is one of 96 architects in this year’s class. Only 3% of AIA members become fellows.

Visit the AIA website to read more about this year’s class.

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