Strolling by Nobile & Amundsen gallery, inside Monticello Arcade, anyone may peer through the large picture window and see an entire exhibition. And this final one for the gallery looks like no other show in Hampton Roads.
Nobile & Amundsen began two years ago as an experimental collaboration with Work Program Architects to contribute to the art dialogue in Norfolk, VA. In that time we’ve been honored to work with talented artists near and far. Thank you, WPA, and everyone else that has supported us. It’s been a fun ride.
Our final exhibit, End Transmission, features artwork by:
Schuyler Beecroft, Hampton Boyer, Adrian Landon Brooks, Christiana Caro, Leigh Anne Chambers, Vittorio Colaizzi, Peter Eudenbach, Sheila Giolitti, Brad Hall, Randy Hess, David Johnson, Bob Lake, Nikki Leone, Christopher Mahonski, Wade Mickley, Daniel Moore, Thomas Moore, Suzanne Peck, Lee Piechoki, Charlotte Potter, John Roth, John Rudel, Tim Skirven, Jason Stick, Jordan Swartz, John Vitale, and Thom White.
Tim Bearse’s sculptures and mixed-media artwork reference the composition, form, and velocity of skateboarding videos. His objects, which at first glance appear to be modernist abstractions, borrow their shape from concrete swimming pools and community-built ramps. The referents, and their larger culture, are specific, though they ultimately point toward something larger: the built environment’s capacity for intervention, collectivization and empathy; the creative potential of kinesthetic awareness; the complexities of tactile, modular forms; and speed as a method of non-lingual communication.
Paul Simmons approaches his paintings like a handyman plying his trade. His work imagines a dialogue between crafted objects and fragmented forms, embracing experimentation. Paintings and drywall objects reference the architecture of the viewing space by treating them both as conceptual and concrete terrain to be explored.
His work has been shown at numerous venues including Sculpture Center, Cleveland OH; Golden Parachutes, Berlin DE; Moscow Biennale for Young Art, Moscow RU; and recently at Parallel Art Space, Brooklyn NY. Simmons received his BFA from The School of the Art Institute of Chicago and an MFA from The Ohio State University. He currently lives and works in Brooklyn, NY.
John Edward Welch (1918-2011) was a self-taught sign painter and artist, and longtime resident of Newport News, Virginia. His mixed-media paintings combine African-American history, biographical portrayals of cultural figures, and social commentary. Working in obscurity until 2010, Mr. Welch garnered the art world’s attention at age 93 when his artwork was exhibited at the Ricco/Maresca Gallery in New York City.
This exhibition was co-curated by Thomas Moore, who is an artist, and Senior Curator of Photography at the Mariners’ Museum in Newport News, Virginia.
Special thanks to Michelle Erhardt, Anna Holloway, Thomas Moore and Elaine Viel for loaning artwork for this exhibition.
Jenny Hueston’s photographs are a visual record of subcultures and communities, and the surroundings in which they exist. Her work has been recognized by The New Yorker and she travels extensively for her ongoing photography projects. Hueston currently resides in Los Angeles, California.
The Norfolk Art Creep combines a traditional gallery crawl of some of the city’s best contemporary galleries with an art & party shuttle that takes you from gallery to gallery to ensure added safety, convenience, and a continuous evening of culture and fun.
+ GALLERY ADMISSION IS FREE AND OPEN TO ALL AGES.
+ SHUTTLE PASSES CAN BE PURCHASED AT http://www.eventbrite.com/e/norfolk-art-creep-er-shuttle-pass-tickets-12109358417
COLLECT AN EXCLUSIVE PIN FROM ALL 5 GALLERY SHOWS (including shuttle) AND GET INTO THE AFTER PARTY FOR FREE!
// PARTICIPATING GALLERIES //
+ LORRIE SAUNDER’S ART GALLERY +
+ MAYER FINE ART GALLERY +
+ NOBILE & AMUNDSEN +
+ THE PARLOR ON GRANBY +
+ ALCHEMY NFK CREEP-ER PARTY SHUTTLE +
LIMITED NUMBER OF SHUTTLE PASSES AVAILABLE – GET YOURS NOW!
More info at the FACEBOOK EVENT PAGE.
Elizabeth Huey’s paintings and collages reflect a broad spectrum of quandaries surrounding humanity and healing. Luminous pairs exchange intimate caresses while individuals immerse themselves in remedies and recreation. Myriad forces — nature, architecture, and history — impact the minds and perceptions of each protagonist. Chaos and order collide and coalesce in the paint handling and spatial constructs. Excavating imagery from a diverse array of sources, Huey continually draws from her own photographs as well as her ever-expanding collection of found photos.
Born in Virginia, Elizabeth Huey presently lives and works in Brooklyn, New York. Before obtaining her MFA from Yale University, Huey earned a BA in Psychology from George Washington University and studied painting at both the Marchutz School in Aix-en-Provence, France and the New York Studio School of Drawing, Painting and Sculpture in New York City. She has been awarded an Artist Research Fellowship from the Smithsonian Institution, a travel fellowship to Italy through Johns Hopkins University, a Terra Foundation of American Art Fellowship and Residency in Giverny, France and most recently, an Artist Residency at Yaddo in Saratoga Springs, NY.