Author: WPA

BRITTON + SAUNDERS | WABI-SABI

BRITTON + SAUNDERS | WABI-SABI
Alternative Perspectives

presented by popblossom
208 East Plume St, Norfolk, VA 23510
Showing: July 6—Sept. 1, 2018
Opening: 6:30-8:30pm, Friday, July 6th
 
popblossom is pleased to present, WABI-SABI (Alternative Perspectives). Please join us for the Opening Event, Friday, July 6th from 6:30 – 8:30pm at WPA Studio + Gallery, located in The Monticello Arcade in Downtown Norfolk, VA.
 


Sculptor May Britton and popblossom’s Lorrie Saunders have come together in a collaborative effort to explore exhibition as medium. Seeking an alternative to the traditional mode of art and exhibition-making, Britton and Saunders blurred the lines between artist and curator by eliminating prescribed or defined roles—their goal, to create a co-authored and co-produced exhibition as a single work of art. With creative energies fused and armed with a non-traditional approach, Britton and Saunders thought it fitting to construct an installation inspired by an unconventional point of view—they settled on wabi-sabi—the Japanese art of finding beauty in imperfection and profundity in nature.
 
Turning to the natural world for inspiration as well as material—wild grape vine and flowers—Britton and Saunders’ installation reflects the rustic simplicity of the wabi-sabi aesthetic while acknowledging beauty in imperfection.
 
May Britton is a fine artist whose figurative and abstract sculptures and site-specific installations have been exhibited widely with many works held in both public and private collections in the US and abroad.  A registered Yoga Teacher (RYT-500), yogic philosophy and teachings continue to influence her life and approach to art-making.
 
​​Former gallery owner Lorrie Saunders is the founder and director of popblossom. She has curated over 50 successful exhibitions of various media by artists of regional, national and international acclaim and whose works are held in public, private, and museum collections.

World Below the Brine

We’re very excited to announce that WPA, in association with Rhiza A+D and Piece of Cake Productions, has been selected by the City of Virginia Beach – Office of Cultural Affairs to design, fabricate, and install a piece of interactive temporary public art at Rudee Inlet Loop. Drawing inspiration from the vivid Walt Whitman poem of the same name, “World Below the Brine” will simulate the ever-changing shore, above and below the water’s surface by creating an canopy that both captures the wind and translates the sun into a “play of light through the water.” The piece consists of a tall steel framework anchored by four concrete benches and supporting a torqued stainless steel wire grid on which 200 painted metal paddles with cast glass counterweights will pivot in wave-like motion as breezes pass through. During the day, visitors will walk below the piece and be covered in moving diffused light and shadow. At night it will be illuminated with LED lighting that will respond to the movements of visitors, creating the visual of a floating anemone visible to passers-by from Atlantic Avenue and the nearby Rudee Inlet Bridge. “World Below the Brine” will debut this September and remain through the Spring of 2020. We are also excited to share that AP Art students from Virginia Beach City Public Schools will be lending a hand with fabrication and installation right at the beginning of their first semester, and that Lynch Mykins will be our structural engineering partner. Stay tuned here and on our Instagram @wpa_norfolk for updates on our progress.

ELIZABETH DORBAD | THE ARCADE

popblossom is pleased to present THE ARCADE, selected works from the series, ITINERANT ARCHITECTURES, by Elizabeth Dorbad. Please join us for the Opening, Friday, April 6, 6:30-8:30pm at WPA Studio + Gallery, located in The Monticello Arcade in Downtown Norfolk, VA.

In the ongoing series, Itinerant Architectures, Elizabeth Dorbad ponders the impermanence and mutability of architecture while engaging the notion of architectural time. Using abandoned architecture as subject matter and material, Dorbad produces works across a range of media including, photography, drawing and video as well as sculpture created out of the rubble of discarded mobile home trailers.

Dorbad considers architecture a transient sculptural system and recreates the structural identities of buildings through what she calls, architectural intervention, “the direct actions of cutting, superimposing or adorning,” the resulting sculpture or installation is then captured in a photograph.

Based in San Francisco, Elizabeth Dorbad’s work has been exhibited internationally in museums and galleries. Her global project, ITINERANT ARCHITECTURES, with iterations in Memphis, Baltimore, San Francisco, Oakland, Berlin, Kassel, New York, and Los Angeles, continues with the latest iteration, THE ARCADE, in Norfolk.

MING YING HONG | CONDITIONS OF UNCERTAINTY

MING YING HONG | CONDITIONS OF UNCERTAINTY
presented by popblossom
208 East Plume St, Norfolk, VA 23510
Showing: Feb 2—March 16, 2018
Opening: Friday, Feb 2, 6:30—8:30pm

Ming Ying Hong’s beautifully rendered charcoal and graphite drawings explore the limits of our knowledge and experience by questioning the way we define and categorize states of being. Her bodily forms—masculine and feminine, dead and alive, aggressive and delicate—her explosions—teetering on the razor-thin edge of dissolution and whole—are common themes throughout her work. According to Hong, by “combining these seemingly contradictory elements, opposites which once defined each other overlap, ultimately dismantling the system in which one definition is privileged over another.” Through this integration of forces, Hong encourages us to examine the in-between spaces of these binaries or areas of uncertainty. As a result, a more complex spectrum of experience emerges.

Ming Ying Hong is an interdisciplinary artist based in Norfolk, VA. She is a graduate of the University of Kentucky and in 2015, received her MFA from Washington University in St. Louis, MO. She has exhibited in galleries and institutions throughout the United States, including the Contemporary Art Museum St. Louis and Ice Box Gallery in Philadelphia. Her work has been featured in numerous publications, most recently in MANIFEST Gallery’s International Drawing Annual 11. Currently, Hong teaches in the Art Department at Old Dominion University.

Altruistic Design

WPA is proud to announce that Jeremy S. Maloney has founded Altruistic Design in Virginia Beach. In keeping with his mission, Jeremy has built Altruistic Design on a platform of socially responsible architecture. If you’ve worked with Jeremy before, you know that he loves all parts of the design process from finding the perfect project fit, to programming, design, detailing, and contract administration. We will miss seeing Jeremy in our office every day, but are happy that we will continue to collaborate on our existing projects. We know that by expanding the choice in great design firms in this area, we can build a better connection between the NEON District, the Vibe District, and the region as a whole. Please send Jeremy your congratulations!

BOYER + VITALE | FADED BY THE SUN

BOYER + VITALE | FADED BY THE SUN
Presented by popblossom
208 E Plume St, Norfolk, VA 23510
Showing: Nov 17—Dec 31, 2017
Opening: 6:30—8:30pm, Friday, Nov 17

Like the physical universe in which we live—immeasurable, mysterious, unfathomable—so too the personal universe each of us inhabits and like the physical realm, we have an innate longing to understand it. In their two-man exhibition, FADED BY THE SUN, Hampton Boyer and John Vitale explore the personal universe, contemplating the intimate relationship between consciousness and reality as well as pondering one’s own existence and the largeness of it.

As a source of inspiration and a vehicle for filtering ideas, Boyer and Vitale turned to National Geographic Magazine.  Illustrational in style, Boyer’s compositions hint at imagery found in the magazine, albeit with a bit of humor and a pop-culture twist. His vibrantly hued paintings float on bright yellow walls, evoking the warmth and light of the sun as well as giving nod to the yellow border of the magazine’s iconic cover. For Vitale, the magazine itself becomes medium as well as representation of the ineffable nature of existence as each work’s layered composition emerges from the pages of a single issue of a bound magazine. Vitale notes that there is an element of time in the numbered pages, “individuals dissolving into environments while seeming to play with the ideas of experience and attachment” all the while moving forward in a state of wonderment.

Hampton Boyer is a Hampton Roads based artist whose works have been exhibited in numerous group and solo exhibitions. A self-taught artist, Boyer’s artistic endeavors manifest in illustrational style graphics, vibrant paintings and youthful murals. In 2014, Boyer cofounded 670 Gallery in Hampton, VA where he served as creative director. In addition to his gallery experience, Boyer has instructed graphic design courses at Hampton University as well as working with the Contemporary Arts Network. Since closing 670 Gallery, Boyer’s focus has been his artistic practice as well as honing his curatorial skills with Thank You Gallery in Norfolk, VA.

John Vitale is a Minneapolis, MN based visual artist. His work has been exhibited in New York, Miami, Chicago, Brooklyn, Portland, Minneapolis, Baltimore, Romania, and Scotland. A graduate of Parson’s School of Design, Vitale has worked as a published and exhibited photographer, a three dimensional designer directing creative projects for Louis Vuitton, Tommy Hilfiger, and Stella McCartney as well as received funding from the Lower Manhattan Cultural Council to publish zines. After briefly curating pop-up events for VA MOCA, Vitale founded the Nobile & Amundsen Gallery in Norfolk, VA which closed in 2015. He is a practicing Vipassana meditator and works as an EMT on an ambulance.

NEON Community Open Space

The following is a list of features being contemplated, as shown in the renderings:

Paved pathways connecting the surrounding sidewalks and streets to the existing paved concrete pad to remain in place. 

Landscaping within the areas of soil on site: grass or stable groundcover, trees, and shaping of the land (rain gardens, swales, berms, etc.).

Planters: both stationary and mobile. The purpose of these are to extend the greenspace from the south edge deeper onto the site, and to help designate the boundaries of the various activity spaces.

Stage Platform:  this is shown with multiple tiers, serving multiple uses including: 1) A platform for performances; 2) amphitheater for watching activity within the Park; 3) a resilient element for play/recreation (can handle wear and tear from skateboarding and other high intensity activities).

Shade Structure: over the stage platform. This will make the platform usable rain or shine. There is a potential for the shade structure to incorporate rigging for lighting, projection screen, speakers, or other performance-related equipment.

Shipping Containers: the two 20’ containers currently at the PLOT can be re-used and modified for new purposes (vending, storage, etc.). A new 40’ container can be added to span above the 20’ containers to provide a surface for graphics and to make a shaded space below. The walls of the containers become surfaces for vertical gardens and graphics (like a neon ‘NEON’ sign!).

Benches: these would be made of solid concrete with reinforced edges for durability. They would accommodate a range of activities including seating, market stalls, and skateboarding.

Playground Area: to include play equipment on an appropriate play surface. The play equipment could be in the form of public art, similar to “Upper Blush”, the sculpture by Matthew Geller that was recently installed on site.

Basketball Area:  a resilient hoop, backboard, and pole, with striping painted on the ground. Depending on the location, a fence element might be necessary to help prevent balls from leaving the site and becoming a hazard.

Lighting: the light poles from PLOT I could be re-used and new lighting could be implemented as needed. It will be beneficial to have power at the Stage Platform and also at the Containers.

Painting and Scoring: the concrete surface presents a good opportunity painting or scoring to help emphasize the diagonal paths and/or the division of the site into activity areas. The scoring may help with drainage – to provide a path for water to migrate toward the landscaped areas. During the charrette it was discussed that some game surfaces would be nice on the paving: chess, hopscotch, bocce, etc.

Public Art: the west wall of the adjacent building is a perfect place for a large commissioned mural. Also, places within the park can be dedicated for additional sculptures. Artworks that promote participation, interaction, and play should be favored.

Miscellaneous Park Equipment:  Tables and chairs, play equipment, signage, water source for irrigation, etc.

 

Please stay tuned here and to the Downtown Norfolk Council’s website for news, upcoming milestones, and ways to get involved in the NEON District as it continues to evolve.

400 Granby Street  Suite 301 Norfolk, VA 23510 Studio: (757) 227-5310

© WPA Website Maintained By

400 Granby Street
Suite 301
Norfolk, VA 23510
(757) 227-5310
© WPA
Website Maintained By