Expanded Perry Glass Studio Reopens at the Chrysler Museum of Art

The Perry Glass Studio at the Chrysler Museum of Art has officially reopened following a $30 million expansion. The museum marked the occasion with a vibrant weekend of festivities that drew major media attention and hundreds of visitors. The grand opening included live glassblowing demonstrations by nationally recognized artists, a sold-out gala event, and a family-friendly festival featuring performances and hands-on activities.

In advance of the festivities, the expanded facility was featured across regional media outlets including 13News Now, WAVY, The Virginian-Pilot, and WHRO, all highlighting the studio’s striking transformation and its significance to Norfolk’s cultural landscape.

“It’s a dream come true to see it emerging fully finished and ready to go,” WPA’s Thom White told WAVY. “I think it will be huge. It will have the ability to reach a lot more visitors, to educate students and glassmaking and the arts around glass. It’s so versatile in the way that it can handle programming, whether that be productions in the theater, hot shop or this classroom.”

Work Program Architects led the design of the project, which more than tripled the size of the original studio and established it as a leading center for glass art in the U.S. The reimagined space includes a 190-seat amphitheater-style hot shop, dedicated classrooms, and state-of-the-art cold- and flame-working areas, all designed to accommodate a growing community of artists, students, and visitors. With a focus on transparency, accessibility, and environmental resilience, the expansion enhances both the creative and educational mission of the museum while preparing the site for future climate challenges.

Media coverage highlighted both the design and the experience it creates. 13News Now provided a behind-the-scenes video tour, while WAVY spotlighted the museum’s assistantship program, which is aided by the new space. In a written report, WHRO detailed the many ways community members, including university students, can utilize the facility to create their own works of art, while an episode of the station’s arts program, Curate, explored the studio and the artform, as well as the origins of the expansion. 

“We interviewed several architectural firms up and down the east coast, from all the big cities,” said Robin Rogers, manager and program director for the Perry Glass Studio. “But it was a local firm, WPA, that really hit it out of the park.”

The Virginian-Pilot provided even more historical context to the recent developments, noting the glass studio’s beginnings as a 9,200-square-foot facility that “reached capacity after the huge demand due to the popular glassblowing classes and partnerships with local colleges and community organizations.”

“The workshops allow visiting and in-house artists to create new and innovative artwork on full display to visitors,” project architect Robert Crawshaw told The Virginian-Pilot. “And spaces throughout the expansion present opportunities for the museum to display these works.”

Watch and read coverage of the opening from WAVY, 13News Now, The Virginian-Pilot and WHRO. Read more about the project here.

Chrysler Museum of Art Preps New Perry Glass Studio Expansion

Phase 1 of the new Perry Glass Studio expansion and renovation at the Chrysler Museum of Art in Norfolk is nearing completion. The oven has been fired and university classes and demonstrations have been scheduled for the fall as the builders shift their focus to the renovation of the museum’s original glass studio, the second and final phase of the $55 million project.

The Chrysler recently invited Norfolk Mayor Kenny Alexander and other city leaders, as well as a number of journalists, to take a sneak peek of the new space alongside Chrysler Director Erik Neil and Perry Glass Studio Manager and Program Director Robin Rogers.

“Everyone at the museum is very excited,” Rogers told WAVY. “We’ve been giving some hard-hat tours, and everyone that’s come through has been thrilled to see the space and just anxious to bring their families and get in here in person.”

The expansion, designed by WPA, features three hot shops, dedicated classrooms and a 200-seat amphitheater theater for teaching and performance. Visitors to the expanded facility will be able to witness the glass-making process, learn the history of glass as an artistic medium, and view the museum’s growing collection of glass art.

“There are only a few of these facilities in the world,” WPA CEO Mel Price told 13 News Now. “So in order to prepare ourselves to really bring an internationally significant building to Norfolk, my partner Thom [White] traveled all over the world to visit the best facilities [and] met with the curators.”

The expansion and renovation are also specifically designed to accommodate the artists who will work at the studio.

“We spent time here,” Mel said. “We took every single class here because we had to know what the artists were experiencing to be able to design.”

The entirety of the 33,000-square-foot Perry Glass Studio is expected to open to the public in early-spring of next year.

Watch the complete segments on WAVY and 13 News Now, and read a full report at The Virginian-Pilot.

Chrysler Museum of Art Public Sculpture

Construction is complete! A colorful 32-foot sculpture at the corner of Brambleton Avenue and Yarmouth Street, and just across from the York Street light rail stop, will announce Norfolk’s rich art culture, directing attention to the Chrysler Museum of Art and the adjacent NEON Arts District. The location will raise awareness of Norfolk arts to thousands of people passing daily through this busy corridor.

From a conversation with Artist Tommy Fox

  • What do you hope people will take away from this work?

“I honestly can’t anticipate what people might take away from the viewing the piece, but generally I hope it makes them happy. I also hope it engages the realization of a middle ground between pure realism (classical statuary) and pure abstraction (rusty steel I-beams welded at right angles). Somewhere between there is a lot of playfulness and room for material exploration. I would like the viewer to simultaneously think, ‘I could have thought of that,’ and ‘I have no idea how they built that thing.’ There is no right or wrong way to engage with it.”

See the blog post written by Thom White on the Chrysler Museum’s Torch: Stories from the Chrysler blog.

Altruistic Design

WPA is proud to announce that Jeremy S. Maloney has founded Altruistic Design in Virginia Beach. In keeping with his mission, Jeremy has built Altruistic Design on a platform of socially responsible architecture. If you’ve worked with Jeremy before, you know that he loves all parts of the design process from finding the perfect project fit, to programming, design, detailing, and contract administration. We will miss seeing Jeremy in our office every day, but are happy that we will continue to collaborate on our existing projects. We know that by expanding the choice in great design firms in this area, we can build a better connection between the NEON District, the Vibe District, and the region as a whole. Please send Jeremy your congratulations!

NEON Community Open Space

The following is a list of features being contemplated, as shown in the renderings:

Paved pathways connecting the surrounding sidewalks and streets to the existing paved concrete pad to remain in place. 

Landscaping within the areas of soil on site: grass or stable groundcover, trees, and shaping of the land (rain gardens, swales, berms, etc.).

Planters: both stationary and mobile. The purpose of these are to extend the greenspace from the south edge deeper onto the site, and to help designate the boundaries of the various activity spaces.

Stage Platform:  this is shown with multiple tiers, serving multiple uses including: 1) A platform for performances; 2) amphitheater for watching activity within the Park; 3) a resilient element for play/recreation (can handle wear and tear from skateboarding and other high intensity activities).

Shade Structure: over the stage platform. This will make the platform usable rain or shine. There is a potential for the shade structure to incorporate rigging for lighting, projection screen, speakers, or other performance-related equipment.

Shipping Containers: the two 20’ containers currently at the PLOT can be re-used and modified for new purposes (vending, storage, etc.). A new 40’ container can be added to span above the 20’ containers to provide a surface for graphics and to make a shaded space below. The walls of the containers become surfaces for vertical gardens and graphics (like a neon ‘NEON’ sign!).

Benches: these would be made of solid concrete with reinforced edges for durability. They would accommodate a range of activities including seating, market stalls, and skateboarding.

Playground Area: to include play equipment on an appropriate play surface. The play equipment could be in the form of public art, similar to “Upper Blush”, the sculpture by Matthew Geller that was recently installed on site.

Basketball Area:  a resilient hoop, backboard, and pole, with striping painted on the ground. Depending on the location, a fence element might be necessary to help prevent balls from leaving the site and becoming a hazard.

Lighting: the light poles from PLOT I could be re-used and new lighting could be implemented as needed. It will be beneficial to have power at the Stage Platform and also at the Containers.

Painting and Scoring: the concrete surface presents a good opportunity painting or scoring to help emphasize the diagonal paths and/or the division of the site into activity areas. The scoring may help with drainage – to provide a path for water to migrate toward the landscaped areas. During the charrette it was discussed that some game surfaces would be nice on the paving: chess, hopscotch, bocce, etc.

Public Art: the west wall of the adjacent building is a perfect place for a large commissioned mural. Also, places within the park can be dedicated for additional sculptures. Artworks that promote participation, interaction, and play should be favored.

Miscellaneous Park Equipment:  Tables and chairs, play equipment, signage, water source for irrigation, etc.

 

Please stay tuned here and to the Downtown Norfolk Council’s website for news, upcoming milestones, and ways to get involved in the NEON District as it continues to evolve.

UPDATE: NEON Community Open Space Charrette

 

WPA led a well-attended public design charrette to determine the future use of the Cofer Lot in the NEON District at the Hurrah Players’ Copeland Center on September 19th.

The Cofer Lot, at the location of a demolished former auto dealership, is poised to be designated as much-needed open space in the District positioned in a perfect spot on West Olney Road midway between the offerings on Granby Street and the Chrysler Museum.

Some charrette participants suggested a public art space with opportunities for sculpture and performance art. Others desired a tranquil green oasis welcome to all, perhaps with a playground for small children. Voices for the skateboarding community advocated for a safe and welcoming place for sport. The challenge is to accommodate multiple uses in a small footprint, and participants seemed open to discussion and compromise.

TONIGHT: The results of the Charrette and next steps for the site will be presented at this month’s NEON District Committee Meeting, at the Push Comedy Theater in the NEON at 5:30 pm. 763 Granby Street, Norfolk.

400 Granby Street  Suite 301 Norfolk, VA 23510 Studio: (757) 227-5310

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