DECONSTRUCTING THE WHEEL
Selected Works by Kurt Godwin
Presented by the Godwin Family
Produced by popblossom
The Godwin Family is pleased to present, DECONSTRUCTING THE WHEEL, an introduction to the late painter, Kurt Douglas Godwin, one of DC’s most accomplished artists over the last 30 years—Opening April 21 and showing through May 25, 2017. An Opening Reception is scheduled for Friday, April 21st, 6:30-8:30pm in Work Program Architects Gallery located in The Monticello Arcade, at 208 East Plume Street, in Downtown Norfolk.
How can any artist avoid physics when their tools will always consist of Time, Space, and Light? It is important to get a grip on some of the speculations on these essential elements. It has been interesting and liberating to get to a place to work that is beyond oneself—to abandon autobiography—to provoke new ways of thinking or seeing about universal quandaries that have been pondered by the great thinkers of the ages – to update the myths of ancient times and offer another analogy or parable in the continuing investigations of this universe we find ourselves in. —Kurt Godwin
DECONSTRUCTING THE WHEEL features the paintings of the late conceptual artist, Kurt Godwin. Permeating the selected works is a rich visual language. Juxtaposing emblems in alchemy with imagery from the natural world, Godwin addresses philosophical perplexities while endeavoring to understand the universe in which we live.
Showing: Feb 20 – March 31, 2017
Artist Reception: Friday, March 24
popblossom and Work Program Architects are pleased to present SOUND STRUCTURE, selected works by Andrea Donnelly, showing Feb 20 – March 31 with an artist reception, Friday, March 24, 6:30 – 8:30 PM, at WPA Gallery in The Monticello Arcade, 208 E Plume Street, Norfolk, VA 23510.
Visual artist Andrea Donnelly weaves exquisite cloths. The intricate and time-consuming processes she uses to transform thread to cloth are the conceptual backbone of her work. She touches every inch of thread in the woven-painting-object-artifacts she creates, imbedding imagery and forming figures locked within textile structure. Donnelly paints woven cloth, only to take it apart then weaves it again. Through unraveling and rebuilding this visual language, she excavates deeper meanings in the collaboration of tool, material, and intention.
In addition to weaving, Donnelly has recently begun working in collage and drawing on paper. Reflecting the patterning and sensibilities of textiles, Donnelly’s drawings are informed by her experience as a weaver in both process and mind state.